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Linda Jaivin, Found in translation: In praise of a plural world (Review)

Reading synchronicity strikes again! In the last couple of months, the issue of language, translation and culture has been crossing my path – in Diego Marani‘s The last of the Vostyachs, in Gabrielle Gouch’s Once, only the swallows were free, and on Lisa’s blog post about the AALITRA Symposium on Translation. I was consequently more than happy to accept a review copy of the latest Quarterly Essay, Linda Jaivin’s Found in translation.

Now, as some of you know, I have mixed feelings about reading books in translation. I want to read them because I want to read not just about but from other cultures. Not being fluent in all the languages of the world, the only way I can do this is to read works in translation, but when I read a translated work I am very conscious that there is a mediator between me and the work. This bothers me. Linda Jaivin, herself a translator, knows exactly what I mean:

… it is absurd to speak of issues of literary style, rhythm – or any aspect of a translated work aside from its structure, characters and plot – without acknowledging that the language of the text is at once a creation of the translator and an interpretation of the author …

And she gives good examples to support her statement. I was pleased to see her acknowledge this, because she knows of what she speaks! But, this little point is only a very small part of Jaivin’s wide-ranging, entertaining but also passionate essay. Jaivin, if you haven’t heard of her, is a multi-skilled woman: she subtitles Chinese film and television and translates Chinese text; she has worked as an interpreter; and she has written novels, stories, plays and essays.

As a reader and lover of words, I enjoyed Jaivin’s discussion of the technical and philosophical challenges faced by translators. She peppers her discussion with an eclectic but fascinating array of examples. And she quotes other translators, such as Edith Grossman who wrote that

a translation is not made with tracing paper. It is an act of critical interpretation … no two languages, with all their accretions of tradition and culture, ever dovetail perfectly.

Take swearing for example. How we swear is highly cultural. Swear words, Jaivin writes, “expose what is forbidden, what is permitted and what is held sacred” in a culture, and consequently “can  throw differences in worldviews into sharp relief”. However, you’ll have to read the essay, if you want to see her examples!

I was intrigued by her argument that translations of classics go out of date! So, this means that the Spanish will always read the same Don Quixote but English speakers are very likely to read a different translation depending on which one is currently in vogue.

“… a culture doesn’t grow just by talking to itself …”

But, the critical point of her essay is not the act of translation. As the title of her essay implies, Jaivin is passionate about pluralism, and more, about cosmopolitanism. By this, she means not just living side by side, not just accepting each other, but “sharing a common vision”.

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Australian Women Writers Challenge
For Jaivin, “translation” is not a narrow concept. Its implications extend far beyond the “simple” translation of words from one language to another, because attached to language are meanings and ideas. When ideas are translated – via words – from one culture to another those ideas change. Jaivin describes how concepts such as Confucianism and yes, even democracy, change when they cross cultures. This can lead, she says, to misunderstanding but it can also provide “room for the kind of creative interpretation that allows cultures and the conversations between them to grow and evolve”.

She argues that, because of Australia’s particular history and geography, and because Mandarin is the most commonly spoken language in Australia after English, “Australia is … in a unique position to translate the shift from the ‘American century’ to the ‘Asian one’ …”.

Building successful international relationships, she believes, requires genuine communication, which includes knowing, recognising and respecting other languages. It

does not require the weak to adopt the language of the strong – as reliance on English threatens to do, given its global and frequently imperial reach.

Jaivin argues that learning a foreign language should be a compulsory part of year 12 and university education, because “we need to have every possible line of communication open to us” if we are to successfully traverse the changes coming.  Not everyone agrees. What do you think?

Linda Jaivin
“Found in translation: In praise of a plural world”
in Quarterly Essay, No. 52
Collingwood: Black Inc, November 2013
103pp.
ISBN: 9781863956307

(Review copy supplied by Black Inc.)


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Image may be NSFW.
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